LOGBOOK ENTRIES
Sunday, Jan 15, 2023 @ 7:00pm

On January 15, 2023, folk singer songwriters John Craigie (of California) & Mason Jennings (of Minnesota) will play a one-time-only show in a one-of-a-kind place when they share their songs and stories from the same stage — for the first time — at the end of the road in Key West, FL.

The venue, Fort East Martello — a waterfront, Union stronghold built in the 1860s — will offer fans an intimate experience just following the world-famous Key West sunset.

The show is a co-production of Coast Projects and Key West Art & Historical Society and is part of the Coast Is Clear Concert Series. All ticket sales directly benefit their nonprofit community partnership.

  • Tickets: GA $30 (Pre-Sale) & $40 (Standard) / VIP $65 (Pre-Sale) & $75 (Standard).
  • Pre-Sale Ends December 4, 2022 at 11:59pm
  • Schedule: Gates at 6pm, Mason at 7pm, Craigie at 8:30pm
  • Cash Bar & Food Trucks
  • Seated Show
Dec 01, 2022 - Dec 04, 2022

​Our biggest annual project, The COAST Is Clear Music & Arts Festival — a hurricane-season-ending cultural celebration — is fast approaching and the lineup is stacked!
We’ve expanded the program this year with events scheduled Thursday, December 1 though Sunday, December 4 including two full days of music at the beautiful Fort East Martello and smaller, intimate VIP sets downtown at historic theaters and backstreet, local haunts.
Full information including tickets can be found at our festival website, so check it out, and we’ll see you “when the coast is clear”!

May 02, 2022

Part I:

A new COAST Projects collaboration is in the works — and while you could say this one was born directly out of the COAST Is Clear Festival weekend this past December, in my head it started a few years back, so let’s begin there.

It was probably early-2019, and I was screen printing shirts on the front porch at COAST like I often do.

Drop the screen, drag the paint, flood it back, quick fold, then set on the ledge to my left where the sun has just peeked over the roof to dry the ink quickly — repeat.

The window to my right is open and a speaker straddles the sill — songs whistle from inside the shop and breeze past me onto Whitehead Street where tourists bustle by in search of Hemingway’s house just one block away. They sometimes stop, gawking at the archaic t-shirt-printing-machine that is magically putting painted designs onto otherwise blank t-shirts.

I pay no attention — lost somewhere in the moment.

Then, on that particular day, a song came on that hit me like few ever do at first listen.

It was New Birth In New England and a moment that reacquainted me with Phosphorescent. Up until then, he was never a mainstay on my rotation, but since then, he’s pretty much been tops.

Beyond being a designer and printer, for the past decade I have been weaving my love of music into the COAST brand through a series of sporadic concerts. To call it DIY concert production and promotion would be an understatement, but down here at the end of the road, where quirky is king, we’ve found some small success. Our backyard concert series has brought some pretty big names to a tiny stage, and over the years the series has grown into a small, but mighty festival that we host in early December to mark the official end of Hurricane Season — hence COAST Is Clear.

And in December 2021, my years-old daydream of meeting the guy behind New Birth In New England became a reality when he arrived for the festival…

Part II:

I picked up Matthew and (Langhorne) Slim, both arriving from Nashville for the festival, in my old Ford — three across the bench. I always pick the artists up myself so that they understand immediately what (and who) they’re dealing with.

This won’t be like that string of classic theater and hip club shows you just played on the nationwide tour — you’ve made it to the literal “end of the road”, so take some time to enjoy it. That notion usually comes with an unspoken sigh of relief, transporting artists back to simpler times when the stakes weren’t so high. Key West will do that to you folks.

Matthew’s planned two nights on the island soon turned into a full week of soaking up all that Key West had to offer. He became “Phos” to my kids and me. A dozen or more rides in the truck bed, a couple boat trips, a solo set at a waterfront Civil War fort, bike rides, roosters, sunsets, and moonrises offered just enough time for a two-minute conversation about a t-shirt that went something like this…

Me: Hey, man, we should do a t-shirt collaboration.

Phos: Yeah man, that’d be killer.

Me: What are you thinking for an angle?

Phos: I don’t know. Maybe 70s or 80s beach vibe — seems like that’s in your wheelhouse.

Me: Right on. But all your shirts are black. I don’t really ever print on black. Can we settle on navy or something?

Phos: We can.

Turns out that Phos took the extra days in Key West to develop his Full Moon Project, and when he announced it a couple of months back — shortly after returning home from the trip — we had a more finely-tuned angle for the shirt. As if by fate, I had recently taken a shot of a full moon rising over the Gulf of Mexico, and that image became the basis for the design.

With that, I sent a quick mock to Phos and got an immediate, “Shit yes, man.”

It’s 70s/80s beach vibes, has a full moon, says “Phos”, it’s navy, and — as the story goes — it took more than three years to make.

Now, you all can buy them for the next two weeks during the limited edition pre-sale. Then I’ll print them on that same porch where I heard the echoes of “Don’t I know you?” — and you can become part of that same story, too…

Sunday, Mar 13, 2022

Join us on Sunday March 13th, when Yonder Mountain String Band returns to Key West for a good old-fashioned hootenanny at Fort East Martello in support of their latest album Get Yourself Outside.

This show offers a VIP section with limited, preferred seating and GA lawn seating and is part of the COAST Is Clear Concert Series, a co-production of COAST Projects & Key West Art & Historical Society.

Fireside Collective will open the show.

Sunday, Feb 27, 2022

Join us on February 27 at Fort East Martello for a family-friendly evening of laid back music and good times with singer/songwriter/surfer Donavon Frankenreiter.

This show is part of the COAST Is Clear Concert Series, a co-production of COAST Projects & Key West Art & Historical Society.

Children 12 & under are free of charge, but must be registered.

Jan 22, 2022 - Jan 23, 2022

​We’re back at it.

Our rip-roaring festival just wrapped and we’re looking to bring you more of the best shows on the island, so join us this winter and spring as we bring back some of our favorite artists to the island while we build our amazing partnership with Key West Art & Historical Society. Monthly shows for the next few months will take place at Fort East Martello, and once we get back into the heat and rains of the summer, we’ll start planning for COAST Is Clear 2022.
We’ll see you all out there!

Poster Illustrations by: handshucked

December 06, 2021

Well, we had our hopes high, and we waited a long time for this — and like all good things, it was totally worth the wait.
What an amazing weekend. Huge thanks to the artists, fans, volunteers, production crews, vendors and sponsors for making it what it was.
We’ll do it again next year.
For now, we’ll just let this film that the crew at Sugarshack put together do the talking…

Dec 03, 2021 - Dec 05, 2021

In a time of global unrest and uncertainty, it’s often best to take a step back to find respite in the simple pleasures of life.

A weekend in the sun surrounded by close compadres — or simply folks you’ve only just met because of a shared love of music and art — can, at the very least, provide a temporary feeling that things might just be okay when whatever it is that we’ve all collectively endured is finally behind us.

And, at its core, that’s what COAST Is Clear is really all about.

From the start, it has been a time and place to celebrate the end of a difficult stretch — for us, it’s that six-month period we in the tropics call Hurricane Season, that officially ends each year on December 1 — when, quite literally, the “coast is clear”.

We started this festival in 2017, just months after Hurricane Irma ravaged the Lower Keys. That year, a few musician friends of ours agreed to come down to lend a hand and lift spirits by doing what they do best. And since then, we’ve committed to bringing down top-notch, nationally-acclaimed bands, paired with local art to make COAST Is Clear an annual festival — one that has been enjoyed equally by our local friends and traveling fans alike.

This year, for the first time, we are so excited to announce that the festival will be a collaborative effort between one of Key West’s most beloved and enduring arts organizations, Key West Art & Historical Society (KWAHS) and the renegade creative forces at Coast Projects (COAST) — a pairing that offers both a timeless legacy and a raw and relevant edge with regards to the arts on the island.

So join us on the first weekend of December to dance and sing in the sun, to enjoy the fresh salt air and island breeze, and to celebrate the end of the old and the beginning of something new…

March 24, 2021

If I have one regret from growing up, it’s that I focused so much time and attention on competitive sports. These days, aside from putting up decent numbers during my Tuesday night coed softball games — and being able to throw batting practice to Kristian and his team without being laid up for a week — sports haven’t really offered me anything noteworthy since college.

This is a roundabout way of saying I wish I had spent more time focused on activities that I could still be enjoying today — making music is the prime example.

Those of you who know me, know that, while I can’t really play a lick, music is still a big part of my life. I’m not saying it’s too late for me to start playing, but at this point my main involvement with music has been on the “appreciation” side of the equation. I’ve done this — through COAST over the last decade — by pioneering the ticketed live music scene in Key West. Prior to our first concerts on Stock Island back in 2013/14, there was essentially no ticketed live music on the island, save for an occasional throwback concert, an annual reggae fest, or a weekend-long festival once a year.

We changed all of that with our early — and wildly successful — renegade concerts bringing the likes of Mason Jennings and G. Love & Special Sauce then Todd Snider, The Revivalists, Langhorne Slim, Yonder Mountain, Rayland Baxter and a host of others to a tiny boatyard on the wrong side of the tracks for a sporadic series of unpermitted, underground, and unforgettable nights of music.

Since then, a number of other live music outfits have come along and done a tremendous job bringing more consistent, broader reaching, mainstream concert programming to the island. And now, 2020 aside, Key West has become a destination for festivals and concerts with world class theaters and a new outdoor amphitheater open in town. And while we’ll still continue bringing down our favorite artists to play non-traditional shows when it feels right, I like to think our greatest accomplishment musically was proving there was a demand.

Along this thread, it’s worth noting that even though I don’t play music per se, I’ve come to consider COAST as my own sort of band — the house band and opening act for all of these amazing performers and friends who have passed through Key West on their way to play shows in much larger cities and venues.

From our earliest days, I’ve been fortunate enough to surround myself with a raucous bunch of friends and folks who have been “instrumental” in helping push COAST’s creative envelope and elevating our ragtag artist collective from experimental garage band status to a more refined crew who have gained a level of recognition and notoriety worthy of acknowledgement and acclaim.

So as we approach our tenth year as a band called COAST, I’d like to look back at what we’ve accomplished while looking forward so you can all know what to expect. And for the year ahead, those two things — looking back while moving forward — will go hand in hand.

For the year ahead, our focus will be paying homage to and re-releasing our most popular designs and prints — a greatest hits anthology of sorts. All of the designs and projects that have kept us alive and moving forward for nearly a decade will be re-issued and re-mastered throughout the year and will be available both in-store and online.

From early samples during our first years in Stock Island with the founding crew of Ryan, Litmer, Nolan, and Cayman to our experimental growth and transition period with Austin, Higgins, Banger, and Jason to more recent collaborations and works in Old Town on through the pandemic with Caleb, Nate, and Micaela — we’ll be looking back on our old albums and collective catalog to highlight the best of the best.

And considering we’ve always been proud of being our own independent label — even though more than a few times we’ve been courted by folks looking to “take us to the next level” — we’ll be re-releasing and distributing all of these hand-pressed hit tracks on our own, from the fabled porch and humble studios at The COAST Outpost in Bahama Village.

So how will this look and what can you expect?

Well, we have a solid track selection we’re already working with — and we’re in the process of re-shooting screens, reconsidering colorways, and reprinting your favorite t-shirt designs in new and relevant formats. A new album cover complete with liner notes is also in the works.

At some point, we’ll also ask for your input on some of the designs you’d like to see again — maybe some deeper cuts on the B-side? As well, we’ll add some new encore tracks and secret songs to keep things fresh. All in, we’ll have a solid “Volume I” of our greatest hits compilation with tracks being released throughout the rest of 2021. All of these will only be available in-store at The Outpost and online via our website.

So here’s what you can expect in-store (at The COAST Outpost) and online in the near future and beyond:

- We’ll be streamlining the online store and offering only a limited amount of designs and inventory throughout the year. This is an effort to increase our efficiency and shorten our shipping lead times. We’ve never really been set up properly for online order fulfillment, so we appreciate everyone’s patience with our sometimes slowish pace to date. Moving forward, we have systems in place to make this process more fluid.

- At The COAST Outpost — our creative studio space and brick-and-mortar retail location — we’ll continue to play with new designs throughout the year. Being experimental in nature, these designs will be released in smaller runs for short periods of time. Because of this, we will not add them to the website, nor will we handle inquiries via email or online messaging — it’s simply too chaotic and often puts us in a position where we promise something we can’t deliver on.

- However, there will be an exciting new way to purchase the limited edition goods. Once a month, we’ll make a social post highlighting a few of the new, experimental designs, and for those of you who aren’t local or in town visiting, you can call us during shop hours — only on that day — and if we have what you need, we’ll run your card, package your order then and there and ship it the same day. This is as close as you can get to being in-store — almost a hybrid online/in-store shopping experience.

- Because of the kind of nostalgic-catalog-old-school feel of the transaction, we’ll only offer this option each “Throwback Third Thursday”.

- Side Note: We’re looking into rotary phone options to complete the look.

Okay, per usual I’m on an extended stream-of-conscious ramble, but it’s only because I’m excited.

And now, more excitement — well, at least for me anyway, as the self-appointed band leader.

During this year of our greatest hits as we look back on our most beloved designs and projects and pay respects to our radical fanbase, I also want to announce that I’ll be embarking on a few solo projects of my own.

The past few years have been trying on a number of levels — mostly personal ones — and it’s sometimes been hard to convey what’s going on in my head through the lens and voice of COAST alone. There’s a lot I want to say and need to accomplish that goes beyond the beach and involves more than boat days and bike rides. Those things will always provide stability and inspiration in my life, but I feel the need to have an outlet creatively, artistically and even aesthetically, that offers more freedom and room for experimentation.

With that said, I’m excited to announce my personal website — a solo album of sorts. It’s a place and a platform to write, create, and express the things that are important to me outside of COAST. Expect to see a lot of about my kids, who have always been my biggest inspiration. I’ll also be documenting personal projects, as well as posting photographs and other works that exist beyond the boundaries of COAST. It’s not really a place to sell my works — or myself — but if something strikes your fancy or you’re up for a collaboration, please get in touch.

Here’s the link — it’s about as simple a domain as I could come up with: www.kearins.com.

I’ve made an introductory post — kind of a “Part II” to this post — and you can link to it directly right here.

All of this said, and as I always say, “stay tuned” — whether that’s here at COAST or over there at my own website and studio.

Finally, thanks again to everyone, for all of the tremendous support over the years — and for keeping a small, local business and a boat full of dreams afloat even when the waters got rough.

Take it slow.

Billy Kearins

October 28, 2020

By Billy Kearins

By this time next week — due to mail-in ballot counting and state contests that are too close to call — we may not know exactly who will be the next leader of the free world. But here in Key West, we’ll likely know the outcome of the contentious local cruise ship referendum.

Really quickly — especially for the non-local folks out there — three questions have been posed to voters on the island which essentially ask citizens whether or not they want to continue to allow larger cruise ships into port. The idea was conceived and eventually formalized into ballot questions during the COVID lockdown this spring/summer after roughly 2500 locals signed a petition in support of limiting the amount of ships allowed to bring passengers into one of three cruise ship docks in the harbor. This side of the debate would ultimately become the “yes” vote — though considering there are three questions, it is, more specifically, the “yes, yes, yes” vote.

At the heart of the debate, and the big concern from the opposing side — the “no” vote — is how this will (negatively) affect local businesses, especially those in close proximity to the cruise ship terminal, and also where this loss of revenue (from cruise ship disembarking fees and taxes) will come from if the ships are no longer allowed into port.

As a small business owner with a retail shop not far from the harbor and located less than one block away from perhaps the biggest tourist attraction on the island, especially for cruise ship passengers — Hemingway House — I have certainly been affected by the absence of the ship traffic. So much so, in fact, that since the coronavirus shut down in March, COAST has not been open with any degree of regularity because it has simply not been worth it. We tried early on, but eventually shifted focus to running our summer camp program for local children while simultaneously putting more effort into online sales and creative collaboration projects as a way to pivot during these challenging times.

And even though this has all been an eye-opening struggle, at the end of the day, whether it makes the greatest business sense or not, I am a “yes” man.

I say this confidently while also acknowledging that I fully — and firsthand — understand the other side of the debate. I have friends, customers, and colleagues at either end of the spectrum and I’ve done my research in both directions.

It’s probably also worth mentioning upfront that the “yes” side is largely the brainchild of a small group of local friends who not only live and work in town, but who have also grown up on the island since the 70s. They have, therefore, witnessed the island change over the last four decades.

On the other side (the “no” vote) there is also a large, local contingent — most notably business owners and folks intimately involved with the cruise ship industry, like downtown bars and restaurants, shore excursion operators (i.e. trolley and snorkel tours) and the harbor pilots association. But behind that veil of local support, there is big money coming from the cruise ship industry itself — and if you read the fine print at the bottom of their (sometimes comical) advertising efforts, you’ll see that money and influence is coming from the mainland straight down US1 all the way to Mile Zero.

If you want to put this simply, it’s a local grassroots movement, versus big corporate money. Of course it’s not that cut-and-dry, but it’s not too far of a stretch either.

All things considered, I’ll be the first to admit that at the outset, when the “Safer, Cleaner Ships” committee popped up in their makeshift outpost on Caroline Street in what could probably be considered the “romantic” era of the lockdown — when it was new territory and there weren’t a lot of worries and the tourists weren’t allowed here and we had the island to ourselves — I wasn’t thinking too much about the overall impact of eliminating large cruise ships from Key West. I was just enjoying the slow pace of the island without them — and considering they were, at the time, breeding and spreading grounds for this new virus, it was all the more reason to agree with the movement. So I signed the petition without too much thought.

But come June and the return of tourists, it became abundantly clear that without the ships, business would be slower. So I thought some more about the easy decision I had made a couple of months earlier. And a lot of my thinking ended up being focused on 1.) who we, at COAST, saw as our core customers and 2.) could we survive without the steady stream of foot traffic that the ships had brought to our doorstep since we moved to Old Town in 2017.

And at the end of the day, my contention was that cruise ship passengers are not our core customer, and we could probably survive without them — even if that would ultimately mean the business ends up looking a lot different than it once had.

At COAST, we are fortunate and thankful to have an amazingly loyal following of local supporters combined with folks who regularly visit the island, as well as thousands of people who have simply stumbled upon us through our social media efforts. Not everyone in town, however, can say this about their network of customers. Some businesses are built largely upon relationships they’ve forged for years or decades with the big boats that docked here on a daily basis — so, again, I understand their arguments.

All of my long winded backstory and introduction aside, and more importantly for me, when I really look at the big picture, this referendum has absolutely nothing to do with the almighty bottom line that seems to be the main concern on the side of the “no” vote.

It should be known that Key West has been a tourist destination for a lot longer than it has been a cruise ship port of call. In fact, the Key West that most people think of when they are daydreaming of palm trees and margaritas in the midst of a midwestern snowstorm in January probably doesn’t include cruise ships obstructing their view of the harbor or hoards of people being cattle prodded (through strategic advertising partnerships with the cruise lines) into a three block radius of downtown to slug down two-for-one piña coladas and buy $5 t-shirts before shuffling back to their floating hotel just in time to make passage to St. Somewhere Else.

No, if I were to guess, they’d be pondering something slightly more idyllic — a place where the pace is distinctly slower than the rat race up north, where the cozy side streets offer more to see than the main drag’s debauchery, and where real locals saddle up on the stool next to them to offer stories of how they made their great escape to the end of the road.

That’s the Key West we can return to — the one they used to write songs and books and movies about.

And beyond that hazy daydream of the good life, there’s actually a crystal clear truth that’s unfolding in front of us, amidst the void of cruise ships. Some might call it an ancillary benefit, but if we’re looking at the really big picture, it’s probably the most important and irrefutable argument for the “yes” vote.

“Yes” I’m talking about the environment. That little thing we tend to forget about when we’re racing to the bank to stash the next dollar. Well, she’s been speaking up lately, too. Rising tides and flooding greet us here in Key West with increasing regularity — and this storm season, throughout the Caribbean and Gulf she’s literally blown through the entire alphabet with named storms now numbering more than two dozen and still one full month left before the coast is officially clear. That’s called climate change — and it’s real.

But it’s not all bad — in fact, there’s actually reason to be optimistic.

After six plus months without ships in port, any local will tell you — with certainty — that the water quality and clarity both inshore and off is markedly better. Fishermen are enjoying a more diverse and sizable catch, dive boats have witnessed increased visibility and more abundant marine life, and even marinas have noticed vastly clearer water and the return of species not seen in years so close to the docks.

These are things in front of us right now. Things that have happened — for the better — in seven short months.

Now you, as a local, just take a moment to daydream about your own island home — much the way the guy from the midwest thought about his own dream vacation in the sun. Think about what might happen if we give our home a longer breath of fresh air, some more time to rest and recover, and then the chance to move in a new direction. A direction that prioritizes thoughtfulness over haste, quality over quantity, and the Earth over the bank.

Key West will rebound, hotels will fill up again, restaurants will have waitlists, and maybe our little shop on the edge of Bahama Village will get back to regular opening hours. But it doesn’t have to happen overnight — and it doesn’t have to be exactly the way it once was.

After the events that have unfolded over the last half year, the entire world, in fact, will never be what it once was. So rather than living in the past and fighting to get back to the status quo, I challenge everyone to take a hard look at the choices we have in front of us and to maybe make a tough decision to move in the direction of progress as we navigate the turbulent waters surrounding us.

But no matter what you think or decide, at the end of the day please make your voice heard by getting out there to vote.

Finally, thanks for taking the time to read my rambling manifesto and for considering my forthright opinion even if it doesn’t jibe with your own — we certainly need more of that these days.

Friday, Mar 27, 2020 @ Doors @ 7:00pm

UPDATE: Concert cancelled due to coronavirus precautions.

We are excited to introduce a new and exciting collaboration between the COAST Crew and Key West Art & Historical Society. Our goal moving forward is to team up and bring top-notch, relevant musical acts to the beautifully historic venues KWAHS operates across the island.To start, we are bringing back our good friend Mason Jennings who first visited us on Stock Island in 2015. That show sold out quickly, so get your tickets early — they go on sale this Friday, 1/24 at noon through the KWAHS website.

To further incentivize, early sales, tickets will be discounted for the first week — $25 with no fees until Friday, 1/31 — limited to the first 100.

From there, tickets will bump to $30 plus fees and then on week of the show, they will increase to $40 plus fees.

So make your plans, bring the kids — they’re free — and join us for an amazing night of music at the historic Fort East Martello Museum.

Event Details:

Date: Friday, March 27, 2020

Location: Fort East Martello, 3501 South Roosevelt Boulevard

Schedule:

• 7:00pm — Gates Open
• 7:45pm — Openers: Buffalo Pistol & The Love Maximum
• 9:00pm — Mason Jennings

Free parking is available at the venue.

Kids under 15 are free.

Cash bar on-site.

Bathroom on-site.

No pets or coolers allowed.

Seating is General Admission.

Have fun, be cool to others.

Live by it.

Dec 05, 2019 - Dec 07, 2019 @ Bahama Village

Join us for the third annual COAST Is Clear Music & Arts Festival this December 5-7 in Bahama Village, Key West.

We started this festival two years ago to celebrate the official ending of a particularly difficult hurricane season down here just months after Irma tore through the Lower Keys. Then, the main goal was, and still is now, to get the community together at a time of year when things really start to change on the island. Beyond surviving the sweltering summer heat, storm season and the tumbleweeds of the slow fall months we want to acknowledge and appreciate the arrival of the first cold fronts and the opening of high season.

This year we’ll welcome back Rayland Baxter — now with his full band — as well as one of Charleston’s biggest current acts, SUSTO, who will be playing solo as well as collaboratively with other bands. We’ll also be graced by Tim Reynolds, the lead guitarist virtuoso for Dave Matthews Band, when he passes through for his annual stop at Green Parrot.

We’re also excited to have another great band at Green Parrot, Voodoo Visionary, as well as fellow southerners and spacefolk rockers Electric Blue Yonder out of Montgomery Alabama who will play a few shows throughout the neighborhood.

Songwriters Chris Kasper and local boy Sam Carlson (& Co) will also take over various stages during the weekend. And there’s more to come, so stay tuned…

Events for the weekend will take place at a variety of venues throughout Bahama Village with the main show happening December 6 at The Key West Lighthouse. That Friday will feature music all afternoon and evening as well as an arts market — so you can get your musical fill and catch up on holiday shopping in one stop.

The schedule and line-up is evolving, so please stay tuned on social media including Instagram and our Facebook event page.

Tickets are on sale right here, so grab them while you can…

We look forward to seeing everyone there!

October 02, 2019

It’s been more than five years since we hosted our first show at the original COAST shop on Stock Island. We built the stage by hand the night before the Hackensaw Boys took to it. The show that followed — a wild, ground stomping, hootenanny changed the course for us at COAST.

As the dust settled, so did we — on our mission to bring new and relevant live music to the end of the road. Since then, we’ve hosted dozens of amazing concerts with world-class artists at venues — large and small — from the other side of the tracks in Stock Island to the tip of Sunset Pier in the heart of Old Town.

We don’t do it for the money. If a show sells out, the money from ticket sales scarcely covers the artist’s fee and production expenses — stage, sound, lights, etc.

It’s a lot for us and the pay off has nothing to do with a pay day. We do it because we love it. We do it because we feel a responsibility to our community and to those within it who have supported these shows from the first to the latest.

For the past five years, most of our shows have sold out by the time the artists hit the stage. Some, like the first performance by G. Love and Special Sauce — which coincidentally took place exactly four years ago today — sold out in 24 hours. Others sold out the night of, with hopeful attendees lining up for the last of the stash.

That said, speaking as a small, local, independent concert promoter, the best thing you can do to support us and the music we bring, is buy your tickets early. We have limited resources — time, money and staff — so if we are promoting the show and selling tickets up until the very last moment that means that our limited resources are spread even thinner and our full focus is taken from the actual production.

Our next event, the Third Annual COAST Is Clear Music & Arts Festival, is bringing together a rare group of talent willing to play a backyard party in the Bahama Village even after they’ve sold out Red Rocks or walked off the main stage at Newport Folk Fest. They do it because they want to connect with their fans on an intimate level. They do it because they love Key West for the same reasons we all do.

How many artists will still do that? How many people can say they’ve seen performers of this stature play a tiny stage in their hometown?

That said, if the music or this message strikes a chord, buy your tickets early. Maybe give some to your friends — as a gift, as a thank you, or simply because you want to dance and sing with them under clear skies and moonlight with the promise of busy season just ahead.

To help make that decision even easier, and as a thank you from all of us at COAST, all tickets and passes are 50% off through Friday.

Thanks again to everyone who’s been along for the ride on the COAST Concert tour over the years. It’s been a hell of a trip. Here’s to another season of extraordinary shows and extended encores…

_

NOTE: Use the promo code ‘coastisclear’ for 50% off through Friday — purchase tickets here.

Tuesday, May 07, 2019 @ Gates at 7:00pm

We’re stoked to welcome our good buddy G. Love back to the island for his annual Beachside Blues Tour of Florida.

This time, we’ll host it right on Southernmost Beach — quite literally the “coast” of Key West — so come join us for a night of music and dancing in the sand and under the stars. The night will kick off with Florida’s own dynamic duo, The Ries Brothers at 8:00pm and G. Love will hit the stage at 9:15pm.

This is a ticketed event and gates will open at 7:00pm sharp.

Hope to see you all there!

Poster Illustrations by: handshucked

April 03, 2019

​He’s been our shop boy, product tester, photo model, skate rat, and all-around cool kid from the very start of COAST.

And today the one and only Kristian turns 11 — successfully completing his first decade on this planet.

He first stepped onto a skateboard when he was three years-old on the mean streets of Copenhagen, and he took to it immediately. In the beginning, he’d ride boards I’d make for him — small, flat boards reminiscent of 1970s surf-style cruisers. I told him he needed to learn to ride around the neighborhood before he could try any tricks, so in short order he became fluid on the little board, weaving on and off the sidewalk, bombing hills and developing a style all his own.

When we moved to Key West, he was eager to take advantage of riding in the nice weather. But at that time, we were spending a lot of time on Stock Island where the streets were pretty beat up, so he asked for a mini ramp at the old COAST shop on Front Street.

Well, that seemed like a good project for our crew of washed-up skaters (with a shop full of tools) and a little kid who was sure to wind up being better than all of us, so we gathered some scrap lumber and built it in a couple of afternoons.

Sure enough within a few minutes, the three of us who built the ramp were bruised and battered, and Kristian had figured out how to drop into the ramp effortlessly. Within a few weeks, he was already better than his old man.

That was four years ago.

Since then he’s continued to skate the ramps, stairs and streets of Key West and beyond, but at this point, there are’t really not too many people around these parts to show him anything new.

So when we asked him what he wanted for his birthday this year, almost without hesitation he said he wanted to go to Woodward — the namesake of the skateboard summer camp made famous from an online reality TV show. After a quick peruse of their website, I basically told him that was an overly ambitious birthday gift which was code for, “probably not this year bud”.

I followed it up by saying what I usually say when he or I want something but it’s too expensive — “gonna have to sell a few more t-shirts before we can get that”.

A week later, Kristian asked me again about Woodward, but before he heard the broken record he said, “maybe you and me can make a t-shirt and some of the sales can go to camp?”

I liked the idea immediately and after some thought, we threw out a few concepts for the shirt.

Ultimately we went back through the catalog of photos that we’ve collected of him skating over the years (see below) and settled on the one that seems to have gotten the best response — the one at the top of the post.

From there, our old buddy Chris transformed the photo into a workable screen print image, and tomorrow we’ll shoot the screen and get printing with the hopes of selling enough shirts to at least subsidize the birthday dream wish.

So if you like the shirt, the story or just want to help Kristian make his way to Woodward this summer, we’re selling the shirts right here on the website for both kids and adults — and all of the proceeds will go towards Kristian’s camp tuition.

Thanks, as always, for all of the support and if you see Kristian on the streets this week, be sure to tell him “happy birthday”!

Sunday, Feb 17, 2019

Yonder Mountain String Band, the internationally acclaimed Colorado-based bluegrass jam band, rolled into town last year to play what their diehard fans recounted as the smallest venue they’ve seen them play since their early days in the late 1990s. And now they’re headed back down the mountain to COAST on Stock Island, again, for one night only on February 17.

Says COAST founder Billy Kearins, “I honestly never know what to expect when these big bands pull up to our funky little boatyard on Stock Island on a huge tour bus — especially when they are coming off of playing big, professional theaters in major cities all around the country. I get the sense that there’s this moment when everyone looks to the manager as if to say ‘what on Earth did you sign us up for.’” Adding, “But usually they quickly realize they are in Key West, the weather is perfect and the vibes are good — and by the end of the night they don’t want to get off stage. But the best reward is when they ask if they can come down to play again.”

Last year Yonder Mountain’s first ever show in Key West was an audience hit as the band has a huge local following as well as a traveling fan base who always look to see them in new and different spots around the country.

The February show at COAST is part of the band’s extensive winter tour route and tickets are sure to sell out quickly. Last year’s show sold out in mere days.

Tickets go on sale Friday, November 9 at 12pm and can be purchased fee-free at the COAST retail shop at 803 Whitehead Street or online through their website www.coastprojects.com

January 01, 2019

SEEKING QUALIFIED CREW MEMBERS…

As we enter the new year and start a new chapter in the COAST story, we are looking to expand our retail and online efforts at The COAST Outpost in Old Town while we explore new options for studio and venue space on Stock Island.

Considering this, we are looking for one full-time employee (or a couple part-time employees) to help manage daily operations at 803 Whitehead Street.

Duties & Skills Required Include:

- Opening and closing the shop in a timely manner. The shop is open daily 10am-5pm.
- Organizing and merchandising products and inventory in a creative and effective manner.
- Keeping track of inventory and ordering goods from our factories and vendors.
- Receiving and stocking new inventory.
- Interacting with and selling to customers — both locals and tourists alike — in a brand-appropriate manner.
- Organizing, packing and shipping web orders.
- Helping with social media and other promotional efforts.
- Creating and updating spreadsheets for inventory, concert tickets sales, etc.
- Handling customer service emails and inquiries on a daily basis.
- Maintaining and keeping the shop tidy and clean.
- Creating and maintaining a lively but cozy atmosphere for customers.
- Starting to learn and eventually take over screen printing duties.

Perks Of The Job:

- Employee discounts on all products.
- Potential to learn to screen print while on the job.
- Access to COAST concerts and events.
- Laid back work atmosphere.
- Ability to grow within an evolving company.
- Pay commensurate with experience.
- Bonuses for exceptional sales numbers.

Is This Job For You?

The ideal candidate should have excellent customer service skills, experience in retail sales, be highly organized, have local references and an understanding of the COAST brand and vision, keep a good attitude and a willingness to learn and grow with an evolving, energetic company.

Please email ahoy@coastprojects.com to inquire or stop by the shop at 803 Whitehead Street to be considered for the job!

Coast Projects, LLC is an equal opportunity employer and does not discriminate against otherwise qualified applicants on the basis of race, color, religion, national origin, ancestry, sex, age, mental or physical disability, pregnancy, sexual orientation, gender orientation or expression, marital status or veteran status, or any other legally protected characteristic under applicable federal or state law.

Dec 12, 2018 - Dec 12, 2019

By Billy Kearins

This Saturday, December 15th — six years to the day after we officially took over a ragged boatyard on the wrong side of the tracks in Stock Island, with absolutely no plan and a sack full of dreams — we’ll host our final, farewell concert at the space. Fittingly it will be with Nashville songwriter Rayland Baxter, a fellow weirdo who became a good friend of mine a few years back because of that very space.

Two weeks after Saturday’s show, we’ll be a displaced band of artists and adventurers.

The place our crew has called home for the better part of the last decade, 6404 Front Street, and the spot where we worked to make that bag full of dreams come true will no longer be ours.

We were unable to come to an agreement for a long term lease at the current space and this month was the deadline. And while the timing seems particularly challenging, I’m not sure there would have ever been a great time to leave that space. Truth is, sometimes we hang onto things because they are comfortable, not because they are necessarily doing us any favors.

For the first four years, our space on Stock Island was dynamic and inspiring. We built radical creations, we repurposed anything we could get our hands on, we pioneered ticketed live music shows in Key West when we hosted Mason Jennings in November 2014 and then G. Love and Special Sauce six months later, and we had a crew of dedicated vagabonds who were always around to clean up and clear out and to tinker or talk over a beer at the end of a 12-hour day in the sun.

And while that idea seems dreamy, truth is, something needed to pay for it all. Our concerts break even — at best — and renting artist studios is one of the more unreliable business models out there. So two years ago, when we had the opportunity to set up The COAST Outpost in Old Town with the goal of pushing the retail end of our brand, the timing just seemed right.

But ultimately the work it’s taken to launch the retail store has come at the expense of the the trusty space that started it all. And that’s not necessarily a bad thing. Our blue-and-orange-striped tin shed on Front Street is old and needs constant attention, in the summer it’s unbearably hot as we have no AC and no shade, and because it’s so far off the beaten path, it became increasingly difficult to get folks out there — even for the best of events.

Add to that the fact that Key West now has a number of well-funded concert venues conveniently located in Old Town who have done a great job attracting amazing talent on a consistent basis and it started to become clear that maybe we didn’t really need the spot on Stock Island as much as I would have liked to think.

All of this said, rather than looking back, I think it’s a good “time to move on” — or so says the song.

So, let’s celebrate “the last waltz” on Front Street this Saturday — have one final evening there to remember amongst good friends and great tunes at a space that might well be the last of its kind down here at the end of the road.

And while I’d like to just say “gates are open, bring all your friends; this one’s on us”, we’ve already sold loads of tickets to people from around the country — and we have moving expenses to think about!

So please buy a ticket, spread the good word, gather your best crew together, bring your guitars, and make it one night that we won’t soon forget.

And just so everyone is aware, this is simply a transitional period for COAST. We’ll still be holding down the fort at The Outpost on Whitehead Street, the Yonder Mountain String Band show is being moved to San Carlos Theater (same date) and we are already having success in finding a new location for the studios. If my gut tells me anything, it’s that we’ll have something even better “right around the corner”.

In closing, I want to thank everyone who has sang and danced the night away at a show under the stars, built a board or a boat in the blazing sun, sent their kid to camp, came by for a shirt in the early days or simply told folks about our weird little space on the edge of town. We wouldn’t still be around six years later if it weren’t for you.

And finally, as most people in Key West know, sometimes the end is really just the beginning, so stay tuned…

December 12, 2018

By Billy Kearins

This Saturday, December 15th — six years to the day after we officially took over a ragged boatyard on the wrong side of the tracks in Stock Island, with absolutely no plan and a sack full of dreams — we’ll host our final, farewell concert at the space. Fittingly it will be with Nashville songwriter Rayland Baxter, a fellow weirdo who became a good friend of mine a few years back because of that very space.

Two weeks after Saturday’s show, we’ll be a displaced band of artists and adventurers.

The place our crew has called home for the better part of the last decade, 6404 Front Street, and the spot where we worked to make that bag full of dreams come true will no longer be ours.

We were unable to come to an agreement for a long term lease at the current space and this month was the deadline. And while the timing seems particularly challenging, I’m not sure there would have ever been a great time to leave that space. Truth is, sometimes we hang onto things because they are comfortable, not because they are necessarily doing us any favors.

For the first four years, our space on Stock Island was dynamic and inspiring. We built radical creations, we repurposed anything we could get our hands on, we pioneered ticketed live music shows in Key West when we hosted Mason Jennings in November 2014 and then G. Love and Special Sauce six months later, and we had a crew of dedicated vagabonds who were always around to clean up and clear out and to tinker or talk over a beer at the end of a 12-hour day in the sun.

And while that idea seems dreamy, truth is, something needed to pay for it all. Our concerts break even — at best — and renting artist studios is one of the more unreliable business models out there. So two years ago, when we had the opportunity to set up The COAST Outpost in Old Town with the goal of pushing the retail end of our brand, the timing just seemed right.

But ultimately the work it’s taken to launch the retail store has come at the expense of the the trusty space that started it all. And that’s not necessarily a bad thing. Our blue-and-orange-striped tin shed on Front Street is old and needs constant attention, in the summer it’s unbearably hot as we have no AC and no shade, and because it’s so far off the beaten path, it became increasingly difficult to get folks out there — even for the best of events.

Add to that the fact that Key West now has a number of well-funded concert venues conveniently located in Old Town who have done a great job attracting amazing talent on a consistent basis and it started to become clear that maybe we didn’t really need the spot on Stock Island as much as I would have liked to think.

All of this said, rather than looking back, I think it’s a good “time to move on” — or so says the song.

So, let’s celebrate “the last waltz” on Front Street this Saturday — have one final evening there to remember amongst good friends and great tunes at a space that might well be the last of its kind down here at the end of the road.

And while I’d like to just say “gates are open, bring all your friends; this one’s on us”, we’ve already sold loads of tickets to people from around the country — and we have moving expenses to think about!

So please buy a ticket, spread the good word, gather your best crew together, bring your guitars, and make it one night that we won’t soon forget.

And just so everyone is aware, this is simply a transitional period for COAST. We’ll still be holding down the fort at The Outpost on Whitehead Street, the Yonder Mountain String Band show is being moved to San Carlos Theater (same date) and we are already having success in finding a new location for the studios. If my gut tells me anything, it’s that we’ll have something even better “right around the corner”.

In closing, I want to thank everyone who has sang and danced the night away at a show under the stars, built a board or a boat in the blazing sun, sent their kid to camp, came by for a shirt in the early days or simply told folks about our weird little space on the edge of town. We wouldn’t still be around six years later if it weren’t for you.

And finally, as most people in Key West know, sometimes the end is really just the beginning, so stay tuned…

December 06, 2018

It’s just past midnight and I’m now a 40-year-old man.

If you go by the stats, I’m starting the second half of my life right now.

But I’ve never been one for stats and measurements. I’d rather eyeball cuts and use my guts.

Fifteen years ago, I’d have looked at those life expectancy charts and laughed. Then said “I’ll live to be a hundred” as I drank another beer on the way out for another night on the town.

But seemingly overnight — and most definitely out of nowhere — reality came knocking and through a series of both tragic and also incredibly amazing events, I became aware that life can be fleeting but it’s also something to behold.

In the fall of 2006, a freak infection attacked my heart valves while I was building a boat in the Caribbean. I was saved only by an emergency med flight from St. Croix to Mass General Hospital, a last-minute open heart surgery on Thanksgiving Day, and the love of those surrounding me.

After months of recovery, I headed south back to Key West to pretty much gather my belongings and start a new chapter. I quit the late nights, simplified my life and met a girl on vacation who swept me off my feet. She had planned to stay for a couple of weeks but ended up helping me pack my belongings into a 1986 Jeep Grand Wagoneer and then rode shotgun up the entire East Coast.

We ended up back in my hometown of Boston the day before her Visa ran out, I drove her to the airport on May 23, 2007 and we promised to see each other again.

A month later, she was back and less than a year after we met, we had a little boy name Kristian and lived in a tiny apartment in Copenhagen.

But just as soon as life comes out of nowhere, so too can it be taken.

In the fall of 2008 I boarded another last-minute flight to Boston with the news that my sister was badly injured in a bicycle accident. She died a few days later in the same hospital that was able to keep me alive a year and a half earlier.

Life is a rollercoaster.

And to be honest, the original concept for the COAST brand was for it to be two complimentary brands — one called “Roll” and the other called “Coast”, each highlighting the strange way in which life works. Sometimes we’re on a roll and other times we can sit back and coast. But when you put it together, life is just a wild ride filled with ups and downs, waiting periods and unexpected turns, times you think you’re going to fall off the tracks and others when you can’t possibly feel any better.

Then in the end, all you can hope for is a soft landing and bunch of smiles as you look back on your time here on Earth.

All of this said, over the last few years, I’ve had periods where I’ve struggled to hold on because I was reckless and selfish. Those who are — or were — closest to me know the details.

And because of this, my 39th year was the hardest so far — and I’m the only one responsible for that.

So for my birthday today, I’m giving myself the gift of a fresh start.

Even if others might not be able to forgive me, I have to find a way to make amends with myself.

So tonight I’ll head to the beach with my two kids — the only two humans who haven’t judged me through all of this and who still think I’m as great as I used to think I was.

We’ll swim in the ocean near the tip of Fort Zach like we used to and then I’ll bring them to Soundcheck at The Green Parrot for some good music and a beer.

If you’re reading this, feel free to join. I know it’s last minute, but hey, that’s where I’ve gotten all my best work done to date.

I thought about having it be my last beer — that “one more Modelo” I always laugh about at the end of the day – but I don’t know if that’s realistic and I don’t want to make promises I can’t keep anymore.

I can promise that as I move into this new chapter of my life, I’ll try my best to be a better person, to use more restraint, and to think about others more than I think about myself. I’m certain that if I can hold myself to that, then I might be lucky enough to get to live and enjoy an average, 80 year-old life span.

Getting over the hump is the hardest part. It’s all downhill from here.

Thanks to everyone — family, old friends and new — who have sat next to me for a least a part of the ride…

June 13, 2018

By Mark Faris “The Coast Bard”

Twenty six hundred eighty five point four miles separate Key West, Florida and Jackson Hole, Wyoming. Another ninety two point ninety six million miles separate those charming little hamlets from the jumbo orb of spurting, belching gas and flames we call Senor Sun.

Along with the yawning distance between the remote settlements, there are other disparities. Elevation, for instance. Key West is but nine feet above sea level. That’s not much. And it often becomes apparent come June through September hurricane season, when backstroking can become a necessary pastime. Nestled amid the aptly named Grand Tetons, JHole stands a majestic, near-celestial 6000 ft. above sea level. No tsunami concerns there.

Then, of course there is the matter of snow. Regarded with deep reverence in the ski Mecca, snow generously is issued in powdery shrouds averaging some 12 ft. annually. None of it goes to waste, either, as rippers and gapers from around the planet descend on the toney outpost to cut and run the myriad manicured trails that line the towering terra. Snow in Key West? Flake one has yet to arrive. Not bloody likely to, either.

Then there is the matter of temperature. Key West averages a balmy 78 degrees with an all-time low of 41. JHole averages 39 degrees and has bottomed out at a mere -66 degrees, aka XtraChilly! And lest we forget, while JHole is surrounded by the Grand Tetons. Key West is awash in the boundless brine of the Atlantic Ocean and Gulf of Mexico.

No, it doesn’t look as if the two enclaves have much in common. But looks often are deceptive. And never more so than in the case of these two little bergs. In many ways Key West and Jackson Hole are like twins by different mothers. Whatever that means.

Along with the breathtaking array of natural grandeur that abounds so gloriously, there are the accompanying pastimes that have become trademarks. World class skiing and deep sea angling are embraced passionately. So are ensuing celebrations in which elevation is no longer measured in feet and are detonated by thrilling sunsets that also have become trademarks of the twin towns.

Without doubt, however, it is that distant dispenser of well-being that unites Key West and Jackson Hole most deeply, bathing the populous in a warm, glowing embrace that instills steam in the step and a Cheshire grin on the chops. Famed for ample supplies of vitamin D disseminated among scenic backdrops, the two cities are capitols of sunny days and cool rays. Key West ranks fifth in the U.S. with 76 % sunshine and JHole eleventh at 71%.

The similarities have not gone unnoticed, either, especially by a couple of catfish embracing a low-key, laid-back lifestyle that eschews frills and focuses on a natural, minimalist approach to existence on the planet.

As a result, Andrew Faris, the noted Jackson Hole artist/designer — who just so happens to be my son — and Billy Kearins, the like-minded founder and creative director of Coast in Key West have joined forces.

It is with these and other similarities in mind that Faris conjured an image capturing the celebration of sunshine, nature and good will shared by the cities. He calls it “Shine.”

“Form and color playing together” he says. “I like things that make my eye and mind dance and maybe remind me that life is good.”

Kearins noticed the painting on Andrew’s Instagram account (@andrewbfaris). And the collaboration was fashioned.

The image has caught the eye and imagination of others, as well, evoking charming descriptions indicating an airy sense of warmth and lightness that bring to mind thoughts of levitation, rainbows and floral arrangements accompanied by feelings of sun-drenched plunges rippling into a gulf of sparkling agua.

Taken with the image and impact, the pair have come up with an enchanting garment that shares “Shine” on a high grade T-shirt of durable cotton in hand-dyed shades of good will and happiness.

How can you put a price on that? Well they have. And it’s $40. But only 100 will be available for purchase. And pre-orders close June 15.

May 10, 2018 - May 11, 2018 @ Doors @ 7:30pm

On May 10, we welcome back our buddy G. Love to COAST for an evening of boatyard and beachside blues. The concert is part of G. Love’s annual swing through the Sunshine State and this particular show is the smallest of the entire tour. Local favorites, The Skank and national touring artist Kristy Lee will open the night.

This is a one-night-only show and G’s shows always sell out quickly, so grab tickets while you can!

Doors open at 7:30pm with opening acts to follow.

*PURCHASE TICKETS*

April 16, 2018

​For a few months — before and after Irma — we were on-site at the newly renovated 24 North Hotel doing everything from building stages and swings to maneuvering Cuban chug boats and scaling six story walls to paint one of a number of large-scale murals on the pristine property.

Keeping the hotel’s solid branding in line, our pieces offered a mix of Key West contemporary and historic Habana complete with literary references, vibrant colors, graphic patterns and reclaimed wood constructions.

The final product is a full scale installation that flows from the lobby to the pool bar and beyond and helps to tell the story of the imaginary line that floats in the Gulf Stream between The Florida Keys and the island of Cuba — just 90 miles away.

April 11, 2018

By Mark Faris “The Coast Bard”

She had a ventriloquist dummy perched like a parrot on her shoulder. And it looked a little like her. Actually, a lot like her. Smoother complexion. And a bit more rigid. But the similarity was undeniable.

Otherwise, there was nothing particularly unusual about the cross-eyed blonde who moseyed into COAST digs on Whitehead Street the other day.

She seemed to relish the attention her little ringer commanded. And when the focus reached a peak, the mannequin’s head turned and the mouth moved.

“What are you guys looking at?” the synthetic little chick seemed to bark. ‘What?”

Indeed.

The crack immediately triggered raised eyebrows and startled yuks. The desired effect had been achieved. And the woman introduced her “sister,” Ginger.

There is no shortage of such interesting characters who find their way onto our Bahama Village premises. And it’s always a treat checking out the mix of nationalities and personalities that find their way to Mile Marker 0 for a taste of paradise.

For the most part, they are a curious bunch, draped in their idea of subtropical cruise wear while spouting queries regarding the island, its history and countless idiosyncrasies. Often as not there are questions, too, about the origin of our very own single syllable monicker.

“Coast,” we tell them is as much a concept as it is an appellation.

It is languid, sun-drenched sea breezes. Crashing surf and burning sand. Snowy white clouds billowing in deep azure sky. And tourists spontaneously bursting into flame beneath the blistering rays of the big bright star that illuminates our days.

It is kindness and sincerity, too. With generous portions of sauntering, laidback, what’s-the-rush ambience. Lots of music. And no shortage of humor, either.

At least that’s the way we see it. And it’s a sense we try to infuse in our line of island art and apparel.

Descriptions are illusive. But if COAST was a restaurant, the blue plate special would feature surf ‘n’ turf, key lime pie an icy cold Modelo. And maybe a side of conch fritters. To go.

February 14, 2018

​Over the past few months we’ve had the pleasure of hosting Diane Barthelemy as an artist in residence out at the boatyard on Stock Island. Originally from Brittany (Breton) in the Northwesternmost coastal region of France, Diane spent most of her formative years in the port city of Bordeaux in southwest France before moving to Brooklyn to pursue a full-time career as an artist in 2016.

While here, Diane has focused largely on her impressive and distinctive large-scale abstract paintings — her stroke is unmistakably confident. By day you can find her spread out on the deck of the COAST stage with canvases the size of roof tarps and cans of acrylic paint with a jar full of brushes at her feet. Always smiling, usually covered in paint, and generally laughing with her distinctive raspy giggle, Barthelemy has made an imprint not only on those who surround her on our Stock Island property, but she has come to find her place in the Key West community as a whole.

By morning or towards sunset, you can usually find her roaming the back streets and side alleys of Old Town on a 70s Schwinn bicycle — blue and red, classically patinaed — with a vintage Nikon camera slung around her shoulder waiting for the perfect moment to shoot her next frame. Her mind is always working — thinking of the next chapter in her burgeoning career, how her next exhibition might look, or what could be a new way to express her intense creativity.

Having just turned 25, Diane has a long and promising road ahead. She has the poise and persistence of a painter twice her age and we look forward to hopefully hosting her more in the years to come. For now, we’ll enjoy the final few weeks of her island stay and then look to follow her new works when she transitions back to Brooklyn and into a new spot in a classic loft space in South Williamsburg.

For those interested in Diane’s paintings and progress, please visit her website www.dianebarthelemy.com and follow her on Instagram @dianebarthelemy.

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